+
Issue 16: Transcriptions
Afterlife, Melrose Wing, Art Gallery of South Australia
Article by:
Play Audio
No items found.
←
→
Reference list
- 90sSoccerBoy, “Fastest Soccer Goal (Damian Mori) 1995/96 NSL”, YouTube video posted 24 March 2011
- Art Gallery of South Australia, Art Gallery of South Australia mourns William Bowmore AO OBE (1909-2008), Adelaide South Australia, 2008
- James Baldwin, “The Creative Process” in Creative America, 1962, The National Cultural Center / The Ridge Press
- John Barbour, i will not steal, 2003, ink acrylic thread on cotton voile
- Claire Bishop, “Zones of Indistinguishability: Collective Actions Group and Participatory Art”, e-flux Journal #29, 2011
- James Lee Byars, The Death of James Lee Byars, 1994, performance
- Belinda Carlisle, “Heaven is a Place on Earth”, on Heaven is a Place on Earth, 1987, Virgin Records
- Nick Cave and The Bad Seeds, “Death is not the End” on Murder Ballads, 1996, Reprise Records
- Nick Cave and The Bad Seeds, “The Mercy Seat” on Tender Prey, 1988, Mute Records
- Chipmunkson16speed, “Heaven is a Place on Earth”, uploaded 3 years ago, Soundcloud audio file
- Bob Dylan, “Death is not the End”, on Down in the Groove, 1988, Columbia Records
- Abou Farman, “Towards a Post-Secular Aesthetics: Provocations for Possible Media in Afterlife Art”, e-flux Journal #45 - May 2013
- Patrick Hernandez, “Born to Be Alive”, on Born to Be Alive, 1979, Columbia Records
- Land of Promise Hotel, 172 Port Road Hindmarsh, South Australia 5007
- Mater Christi Parish, 413 Grange Rd, Seaton South Australia 5023
- MV88, “NSL Grand Final 1991-92 : Melbourne Croatia v Adelaide City (Penalty Shoot-Out)”, YouTube video posted February 27, 2010
- Tom Nicholson, Evening Shadows, 2012, exhibited as part of Parallel Collisions, the 2012 Adelaide Biennial of Australian Art, curated by Natasha Bullock and Alexie Glass-Kantor, Art Gallery of South Australia, Adelaide
- George Popperwell, Exit Music: A Lake and a Stand of Trees, 2008, Contemporary Art Centre of South Australia, Adelaide
- Tony Stephens, “Collector and Giver of Art”, The Sydney Morning Herald ,12 January 2008
- Cassie Thornton & Max Haiven, University of the Phoenix, 2017-ongoing
- YACHT, “The Afterlife” on See Mystery Lights, 2009, DFA / Universal
The performance text also incorporated words and phrases from gallery wall labels for the following artworks, located in Afterlife, the William Bowmore Gallery, Gallery 16 of the Melrose Wing at the Art Gallery of South Australia:
- AES+F Group, Allegoria sacra (sacred allegory), 2010-11, 39:39 minutes, 3 channel moving image with sound.
- Ambrosius Benson, Man praying, Late 1520s, Oil on wood panel.
- Jake & Dinos Chapman, Das Swings unt Roundabouts fur der kinder? Ja? Nein! Schweinhund!
- (Swings and Roundabouts for the children? Yes? No! Pigface!), 2011, glass-fibre, plastic, mixed media.
- Jake & Dinos Chapman , No Woman, no cry, 2009, glass-fibre, plastic, mixed media.
- Francisco Giralte the Elder,The Meeting at the Golden Gate, c. 1550s, pine.
- George Elgar Hicks, The Dead Goldfinch (‘All that was left to love’), 1878, oil on canvas.
- Henri Fantin-Latour, Zinnias, c.1897-99, oil on canvas.
- HJ Johnstone, Evening Shadows, backwater of the Murray, South Australia, 1880, oil on canvas.
- Johann Victor Kramer, The Descent from the Cross, 1886-87, oil on canvas.
- Yayoi Kusuma, Infinity Dots, 2001, synthetic polymer paint on canvas.
- Frederic Leighton, The Feigned Death of Juliet, 1856-58, Rome, Paris and London, oil on canvas.
- Colin McCahon, The Five Wounds of Christ no. 2, 1977-78, Synthetic polymer paint on canvas.
- Albert Moore, A workbasket, 1879, oil on canvas.
- Unknown (Germany 18th Century), Our Lady of Sorrows, Limewood.
- George Frederick Watts, Love and Death, 1901, oil on canvas.
- Chiusi, Cinerary urn lid, Etruscan 2nd Century BC, Terracotta.
- Chelsea Porcelain Works, Vase (three friends pattern), 1745 – 49, porcelain, enamel.
- Thomas Tompion, Bracket Clock, c. 1678, oak, walnut veneer brass, gilded brass, iron, glass.
- Balthasar van der Ast, Still Life, 1622-23, oil on copper.
- Jacob van Ruisdael, Landscape with a Mill-Run and Ruins, c. 1653, oil on canvas.
- Rene Lalique, Dragonflies Brooch,1903-05, Gold, Australian opal, Plique-à-jour enamel.
- Giorgio Lucchesi, Still Life, 1901, oil on canvas.
- Unknown, Coffer with drawers, oak, inlaid wood (unidentified), iron key, plates.
- Haniwa Dog, c. 6th Century, Japan, earthenware.
- Funerary mosaic fragment (Parthian), 2nd-3rd Century AD, Edessa, northern Syria, stone, mortar.
- Matthew Monahan, 5² Mask (Scarab), 2016, aluminium.
- Male Funerary head (Sabaean), 3rd – 1st Century BC, Saba, South Yemen, alabaster.
- Horseman (Boeotian), 6th Century BC central Greece, terracotta, painted decoration.
- possibly the workshop of Gudio da Merlino, View of the Underworld Tazza. 1540-1550, earthenware, majolica.
- Auguste Rodin, Bust of Saint John the Baptist, 1878 (E. Godard Foundry, cast 1986), bronze. Alex SETON
- Auguste Rodin, The Three Shades, 1881-83 (G. Rudier Foundry, cast 1973), bronze.
- Alex Seton, My Concerns Will Outlive Yours, 2011, Wombeyan marble, stainless steel eyelets, halyard.
- Walter Sickert, The Pheasant, c. 1919, oil on canvas.
- Bernardo Strozzi, St Francis of Assisi adoring the Crucifixc. 1615, oil on canvas.
- Ricky Swallow, The Exact Dimensions of Staying Behind, 2004-05, laminated lime wood.