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An Introduction to Issue 19: RITUAL
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Desire Lines by Celeste Aldahn
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Love letter to my grief by Hannah Bronte
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Momentary Ritual by Josie Dillon
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Translating Ritual by Imogen Dixon-Smith
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Na(rra)tion by Yusuf Hayat
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Touching the divine by Kate O'Boyle
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Tending and Attending: Rituals of care in Asad Raza’s Absorption by Saskia Scott
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Cracks in my Stupa by Wes Maselli
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Soil stories by Marlaina Read
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An Introduction to Issue 18: GENDER
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Reflections on the Kochi-Muziris Biennale: Part 1 by Matt Barlow
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Reflections on the Kochi-Muziris Biennale: Part 2 by Matt Barlow
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Lady Like by Zoe Freney
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At the level of sensation: Honey Long and Prue Stent communicate through the body by Harriet McKay
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Performing Motherhood & Making Art by Adele Sliuzas
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Joseph Haxan's Body Horror by Jess Taylor
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Musings on Masculinity by Henry Wolff
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An Introduction to Issue 17: CLIMATES
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Utilitarian Environmentalism in Art by Lucien Alperstein
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in eyes that looked at you by Celia Dottore
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Acts of Revealing: Nobuo Sekine's Phase-Mother Earth by Bernadette Klavins
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Absolute Humidity by Tess Maunder
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The Artist as Environmental Change Agent by Chris Reid
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Woven Acts and Spoken Maps by Laura Wills with Fulvia Mantelli
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Primavera 2018 by Emma-Kate Wilson
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An Introduction to Issue 15: MATERIAL
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Bernard Frize by Andy Best
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Infra Structure: Found materials as disruptive agents in Tanya Goel's practice by Nicole Clift
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Self-Made: Zines and Artist Books by Katarina Klaric
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Anohni: Miracle Now by Meg Madden
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Lovers and Leavers by Kate O'Boyle
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The Enigmatic Body of Heather B. Swann by Elspeth Pitt
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Transfigured Night by Kara Town
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An Introduction to Issue 14: INTERSECTIONS
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Louvre Abu Dhabi: A Convergence of Ideologies by Stephanie Ackland
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The dinosaur in the room by Miriam Barker-Lanzi
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Reconsidering queer histories in Derek Sargent's Genuine & Authentic by Chelsea Farquhar
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Eugenia Flynn in conversation with Ali Gumillya Baker
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A river understands me: Tales of Indian Art Engagement by Zoe Freney
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Intersections: Art and Health by Jessie Lumb
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My Kath and Kim by Kylie Maslen
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The Fool's Leap: Intuition at the Palazzo Fortuny by Samara Mitchell
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What lies beyond modern technology? by Dr. Melentie Pandoilovski
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Buried in sunlight by Madeline Reece
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An Introduction to Issue 13: POWER
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Christopher Ulutupu: The Romantic Picturesque by Thomas Capogreco
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(Imagi)Nation by Yusuf Hayat
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Zones of contact by Isabel Marcos
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The Emperor's Old Clothes by Raqs Media Collective
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Anne-tagonism in Imhof's Faust at the 2017 Venice Biennale by Inneke Taalman
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Resistance Reviewed by Natalie Furnas
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An Introduction to Issue 12: DESTRUCTION
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Process and Entropy by Eleanor Amor
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Pillar of Salt; or, Don't Look Back While the City is Burning by Anna Dunnill
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The Breakup by Darby Hudson
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Hang Me on a Wall: Invisible illness reflections and the Ramsay Art Prize by Kylie Maslen
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This world is fragile: photography, demolition and trauma by Ella Mudie
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Where is the homeland? by Elyas Alavi
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A two-way thinking mirror by Becca Freezer
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Julia Robinson: Structure for navigating an unknown afterlife by Fulvia Mantelli
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An Introduction to Issue 11: HUMOUR & PARODY
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Costumes with Cindy Sherman and Christian Thompson by Melanie Bakewell
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Racists Laugh and Whingers Complain: Controversial Humour by Peter Ellis
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The Wall by Julie Koh
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Madison Bycroft: Separations Inc by Jenna Pippett
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Vincent Namatjira's portraits of the rich and powerful by Andrew Purvis
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Terry by Alice Dolling
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Eloquent Chaos by Alaska Young
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Julia Robinson: Long Ballads by Kathleen Linn
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Roy Ananda is not a nerd... A conversation between Logan Macdonald and Roy Ananda
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An Introduction to Issue 10: PURPOSE
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Home Thoughts from Abroad by Matt Barlow
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Purpose by Richard Grayson
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on TRACK by Bernadette Klavins and Grace Marlow
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Tour of the Facilities by Monte Masi
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Langue Lounge by Anna O'Loughlin
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del kathryn barton: RED by Melanie Cooper
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Unfold in View by Jenna Green
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A discussion between Ashleigh D'Antonio and Mia Van den Bos, Co-Directors of Sister Gallery
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A rest along the way by Rachel Earl
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'It's Not Art, It's a Monstrosity': Reflections on Public Outrage by Caitlin Eyre
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Dismembered but not disembodied: Rodin one hundred years on by Becca Freezer
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Integration: Thomas Capogreco et. al. by Stan Mahoney
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Motherland by Nic Brown
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An Introduction to Issue 9: NATIONS
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An interview with Jonathan Jones by Tamara Baillie
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The Sum of My Parts by Bindi Cole Chocka
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Weaving Lessons by Natalie Harkin
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Yhonnie Scarce breathing, and the sound of knuckles cracking by Teri Hoskin
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In his hands: the multidisciplinary practice of Robert Fielding by Marie Falcinella
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When Parallel Worlds (Don't) Collide: Decolonising and Indigenising Australian Art by James Tylor
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Cultural Precinct by Natalie Harkin