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fine print magazine hosts a combination of long-form pieces alongside a frequent schedule of short-form reviews and responses to exhibitions, individual artworks, artist's practices and essays. If you would like to write for fine print, request our writer's brief or make a pitch. Be open. Think critically. Stand strong on your ideas. email@example.com
Issue #14: INTERSECTIONS
The theories and histories of art are often compartmentalised in an effort to define and understand their importance. In reality they form a network of colliding ideas and ideologies, splintering and changing course as artists negotiate with the situations of past, present and future. Where are these meeting points, in theory, concept and practice?
Does art have any kind of power in multi-levelled, structured society? Or is now a commodity palpable and re-workable to suit any market? Politically motivated art sits on the threshold of institutional presentations, biennials and festivals with more collectable contemporary art appeasing masses and reflecting ideological objectives.