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An Introduction to Issue #9: NATIONS
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An interview with Jonathan Jones by Tamara Baillie
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The Sum of My Parts by Bindi Cole Chocka
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Weaving Lessons by Natalie Harkin
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Yhonnie Scarce breathing, and the sound of knuckles cracking by Teri Hoskin
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In His Hands: the Multidisciplinary Practice of Robert Fielding by Marie Falcinella
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When Parallel Worlds (Don't) Collide by James Tylor
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Cultural Precinct by Natalie Harkin
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An Introduction to Issue #8: Body
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Setting things in motion: body as infrastructure by Matt Barlow
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Flesh and Clay: Ah Xian's Porcelain Body-Casts by Alex Burchmore
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Cheek to cheek. Transmissions between us. by Emily Cormack
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Strap-on paintings by sarah crowEST
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Bodies in Space by Steph Daughtry
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Step inside my container by Ray Harris
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It cannot say, but it can show by Kate Power
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An Introduction to Issue #7: Protest
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Memory, Fear and Fallout by Tamzin Buchan
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Politics at Street Level by Mark Dean
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The Politics of Storytelling by Celia Dottore
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Finding Meaning in Giving Voice by Liz Nowell
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Peter Kennedy's Resistance by Julie Reed Henderson
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Michael Schaefer's Chasing my Tail by Mary-Jean Richardson
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Planning for Tomorrow by Adele Sliuzas
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Alterior Motive by Hen Vaughan
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An Introduction to Issue #6: Place
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Ben Leslie's House of Vulture by Eleanor Amor
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Collections: Architecture, Algorithms and Art by Tom Borgas
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Shadow-self by Nic Brown
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Adventure Art by James Dodd
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Emma McNally's Choral Fields by Meg Madden
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Paul Sloan's Interior Motives by Jenna McKenzie
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Beyond Order by Kate Moskwa
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The Knowledge in the Clutter by Sera Waters
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An Introduction to Issue #5: The Object
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Thoughts on Thought Forms: Reactions to the 14th Istanbul Biennale by Bridget Currie
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Intimate Vestiges: Fiona Roberts at Format Systems by Molly Garcia-Underwood
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Feeling Towards the Future by Bernadette Klavins
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Object Lessons in Two Parts by Kegan McFadden
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Anna Horne: CACSA Contemporary 2015 by Sophia Phillips
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Object by Tom Squires
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Guernica and the Impossibility of Objects by Ash Tower
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Objectifying the Social: The Relational Aesthetics of Leisure by Mia Van den Bos
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An Introduction to Issue #4: Process
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On Cy Twombly by Ken Bolton
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Art is Not a Verb by Donald Brook
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Hypnotic Rythms by Sundari Carmody
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The Cat is Not a Verb by Stan Mahoney
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Hole Talk: Monte Masi Interviews Matt Huppatz
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The Act of Writing by Jenna McKenzie
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Spot Check by Ken Bolton
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What The Cat Brought In by Donald Brook
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An Introduction to Issue #3: Mysticism
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Artist as Mystic by Elise Bonato
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The Lady, The Scientist and Phlegm by Bridget Currie
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Basquiat: The Unknown Notebooks by Celia Dottore
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Brigita Ozolins: Kryptos, 2011 by Bella Hone-Saunders
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The Other Side by Lars Bang Larsen
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Mysticism and the Sublime in the Ocean-scape of Now by Brad Lay
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Trying to Catch the River in a Bucket by Jessie Lumb
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On Beauty, Religion and Decay: The Art of Deborah Prior by Craig Middleton
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An Introduction to Issue #2: Animism
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Animism and Beyond by Matt Barlow
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Rehearsal For A New Objects by Madison Bycroft & Mikala Dwyer
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Reading Animals by Peter Ellis
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Changing Skin: The Uncomfortable Territories of Juz Kitson by Caitlin Eyre
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Louise Haselton: Material Life by Elle Freak & Lisa Slade
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The Re-appropriation of Sensuality by Kim Littler
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Sensitive Object by Adelè Sliuzas
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Animal Spirits by Michael Stevenson & Jan Verwoert
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An Introduction to Issue #1: Time
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Airing the Absence by Mary Angove
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In Pursuit of the Periphery by Alice Clanachan
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Syzygy and Cluster by Matthew Lorenzon
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Trans-temporal Utopias by Lauren Mustillo
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Becoming is the Movement of Being by Riley O'Keeffe
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The New Black by Madeline Reece
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Bones Brigade by Gloria Strzelecki
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The Colonel & The Toad by CJ Taylor